With his well-chiseled body and intense looks, the actor looks stunning in the warrior avatar. As you know, the actor had undergone a major makeover for his character in the movie.Ī day ago, the makers of the ‘Pathonpathaam Noottandu’ unveiled a brand new poster featuring the lead actor.
#Anu sithara siju wilson movie#
Premam fame actor Siju Wilson plays the lead role of the movie that tells the untold story of Arattupuzha Velayudha Panicker, who was the first martyr of the Kerala Renaissance movement. The cumulative effect is that of getting candy from the doctor after getting a not-so-painful injection.Veteran director VInayan's upcoming historic drama 'Pathonpathaam Noottandu' is one of the much-hyped movies in Malayalam Cinema. You’ve never seen the filmmaker this laid-back before. Though Sajan occasionally shows a tendency to veer into melodrama, he thankfully doesn’t go all the way in. Ganapathy is someone who discovers that his neighbourhood is not as loving as it once seemed to be. His role has a bigger significance in the film’s latter portions. Vishnu Unnikrishnan plays Ganapathy, a Hindu guy in love with a Muslim girl. Siju Wilson is the mystery man from Hashmi’s past who contributes a layer of unpredictability to the proceedings. He goes from sprightly in the first half to dejected and weary in the second and is aided by a suitably strong and sensitive performance from Anu Sithara. Sharaf is perfectly cast as the good-intentioned, soft-hearted youngster who is weighed down by the unusually trying situations thrown his way. Neeyum Njanum is yet another addition to Sharaf U Dheen’s filmography that not only proves his versatility, but also his leading man capabilities. Their significance begins to make sense once you’ve seen how everything is wrapped up in the end. Just when you feel slightly overwhelmed by the seriousness of Hashmi’s situation, Sajan switches to two hilarious situations running concurrently-one in the next house and the other a few kilometers away from these two homes. This half of the film is essentially a long, tension-laden climax with four different things going on at the same time. All this is complemented by some well-placed humour, reminiscent of that found in a Quentin Tarantino film (minus the gore, of course). While a group of Muslims cite the Quran as an excuse to intimidate a girl and boy, a group of Hindus sees in this a splendid opportunity to win in the upcoming election. We have seen similar issues addressed in last year’s Varathan and Uncle but not in such an ingenious, comical manner as it is presented here. Though Hashmi and Yakub’s story brings its share of intense moments, the second half carries a relatively more humorous tone, with issues like moral policing and communal violence handled with a remarkably satirical approach. Sajan uses the extra time to get you acquainted with the texture of the characters’ world and incorporate some brilliantly heartwarming flourishes (for example, a rat saved from its trap returns the favour to the saviour in a later scene). The entire film is constructed like a novel. Apart from shaving off maybe a song or two, I don’t see any reason to shorten the runtime. This is a film that, I felt, benefitted greatly because of its length. Some may find the lengthy runtime (2 hr 40 min) slightly unbearable, but patient viewers are sure to be rewarded. It takes its own time setting up the two lovers’ convincing chemistry. My expectations were upended at every turn.
But Sajan has other plans, and he does something completely unexpected to the classic love triangle which I found welcoming and thoroughly enjoyable. In the first half, the film seems to be going in the direction of the 1981 Tamil film, Antha Ezhu Naatkal (remade as Woh 7 Din in Hindi), or Krishnagudiyil Oru Pranayakalathu (1997). However, adversity is going to rear its ugly head soon. Being the relentless man that he is, Yakub finally manages to win her over.
But there is a slight complication: Hashmi hasn’t quite gotten over her past flame Shanu (Siju Wilson). Yakub is a 'lover not a fighter' type who quits the police force to pursue his love for photography and a relationship with Hashmi.
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